|
"Even though many of her registrational conceits seem conventional
enough, she is really looking for an out from all the instrumental
hang-ups that have demarcated intention and reality in performance.
For her, the scores of Bach are just what they should be for all
of us, in fact - an excuse to build an infinite variety of pertinent
performance systems. She has managed to tap sound-sources that,
in their - literally - incomparable variety are perfectly mated
to the sublime instrumental indifference of the composer. She has
not just offered us, as everyone from Harold Samuels to the Swingle
Singers is reputed to have done, a Bach for Our Time but a start
toward an infinitely expanded recreative capability and an inkling
of the future as well."
- Glenn Gould
|
|