|
|
|
| "The young Greek woman's
expressive gestures spurred the musicians on to emotionally focused
and precise playing. From the very start, she captured the audience's
attention with Ravel's elegant, extended elegy Pavane pour une
infante morte. A dance-like grace characterised the ballet suite
Ma mere l'oye, also by Ravel, as interpreted by the young Greek
conductor. She struck a thoroughly natural, narrative note for the
folk-tales. No less sensuous and sculptural for the ear were the sounds
she evoked of the mysterious glow of Debussy's tonal painting for
the piano."
- Märkische Oderzeitung Frankfurt
|
|
|
|