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"The adagio [Beethoven Sonata Op. 110], that sad rhapsody,
showed the pianist to be indeed the dreamer she was described as,
but a dreamer with strength. The final fugue was stolen into with
great sensibility but also built with a fine structural sense....Her
performance [Moussorgsky's Pictures at an Exhibition] was highly
musical and forward-moving and it always brought out the principal
line."
- The News-Times
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