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"Uitti expanded her sound-producing potential by adding a
second bow, so that the top bow slides across the top of the strings
in the traditional manner while the bottom bow hits only the two
outer strings. The result, with more layers and niches of sound
than we expect from one string instrument, is simultaneously earthy
and unearthly. What seems a radical idea manifests itself in music
of haunting beauty in Uitti's hands."
- Los Angeles Times
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